Cook creates abstracted paintings that take landscape as their subject without being explicitly topographical or descriptive. In fact, the meeting points of land, sea and sky have long been a focus for her. There is a subtlety of surface and depth, texture and light. Her landscapes are quiet and contemplative interpretations of natural environments and her interiors are equally as experiential, created by dragging, dripping and pouring oil paint that is rich in earth pigments. In all her work, Cook looks for new methods to build tensions between shapes, with the paintings made slowly and revealing themselves over time. Some areas are ambiguous and veiled, others clear and sharp. The experience of motherhood, ‘the most tender thing I’ve ever felt’, has undoubtedly fed into her work, as well as having focused and polarized her studio activity.